Post by elines on May 18, 2015 15:45:57 GMT
The video of the actual webinair is now available at:
www.youtube.com/watch?v=coH9HuU_Pgc
If you have read the book then my guess is that there won't be an enormous amount that will be new to you, but in my view is worth watching if you want to hear about Fine Art B&W photography.
For me the most interesting aspects were:
(a) to see the 'before' and 'after' images.
(b) confirmation that she can spend days processing an image to get it to realise her vision for it. (For me that would be above and beyond
(c) the idea to increase (where usually the aim is to reduce) convergence of verticals for artistic reasons
One practical point if you do decide to watch it ..... her English is very good but at an early point of the video she refers to a little used technique and I would have found it difficult to work out what it was if I hadn't already come across it.
it is 'Tilt shift blurring'.
Also although she is clearly a big fan of dxo software and finds it more or less essential to her work flow and methods, she says it isn't necessary to have it to produce something similar.
www.youtube.com/watch?v=coH9HuU_Pgc
If you have read the book then my guess is that there won't be an enormous amount that will be new to you, but in my view is worth watching if you want to hear about Fine Art B&W photography.
For me the most interesting aspects were:
(a) to see the 'before' and 'after' images.
(b) confirmation that she can spend days processing an image to get it to realise her vision for it. (For me that would be above and beyond
(c) the idea to increase (where usually the aim is to reduce) convergence of verticals for artistic reasons
One practical point if you do decide to watch it ..... her English is very good but at an early point of the video she refers to a little used technique and I would have found it difficult to work out what it was if I hadn't already come across it.
it is 'Tilt shift blurring'.
Also although she is clearly a big fan of dxo software and finds it more or less essential to her work flow and methods, she says it isn't necessary to have it to produce something similar.