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Post by hmca on Aug 8, 2020 14:22:03 GMT
Members submitting an image for this challenge are asked to offer a brief statement as to why they chose their image. Participants in the challenge have the option of presenting an edit with the photographer’s reasons in mind or instead presenting an image that reflects their own creative vision. The member submitting this image noticed that all of our RAW challenges were taken outside and mostly landscapes. So the thought for this challenge was to try our hand at an image that was taken inside under challenging lighting conditions. The photographer's intent was to capture some of the grandeur of this old building. Impressed by the creative edits that were applied in past challenges this member is convinced that our participants in the challenge can transform this attempt to create an image that reflects the building's interior beauty. 1. Participants in the challenge are asked to provide a screenshot of their edits within the RAW converter of their choice along with the reasons for their edits. 2. Following their initial edits members may use whatever “tools" they wish to create an image that portrays their artistic vision for the image as long as the character of the original image is not lost. 3. Including information on plug-ins, actions, external editors, textures, sky replacements etc that were used will only help to inform members of some of the creative options that are available to today’s photographer. 4. Including layer stacks may be something to consider when presenting a final edit. You have two weeks to participate in this challenge. It ends on Saturday, August 22. At the end of the challenge the image creator will select their three favorite edits. Comments are restricted to complimenting another member's edit. I see this as our most challenging image to date. Looking forward to seeing how you decide to work with this image. You can download the image using this link.
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Post by Peterj on Aug 8, 2020 17:40:20 GMT
What a fun challenge! This submission attempts to "capture some of the grandeur of this old building". Workflow: Topaz Denoise AI On1 Develop - shadows, midtones, highlights, whites, NO adjustment to overall exposure; perfect eraser removed camera and sensor
On1 Local - luminosity mask applied increase structure, shadows, midtones On1 Effects - luminosity mask applied dynamic contrast; lensblur applied to extreme left and right; tone adjustment for custom vignette
combined settings screen grab tone ...................................effects .................................local
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Post by hmca on Aug 8, 2020 18:35:32 GMT
Well your image seems to prove that the photographer had the correct instincts when submitting this image for the challenge. Thanks for getting us off to a glowing start, Pete!
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Post by fotofrank on Aug 8, 2020 22:17:50 GMT
Thanks for this Helen. Started in Camera Raw Topaz Denoise NIK Perspective with crop
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Post by Peterj on Aug 9, 2020 0:42:47 GMT
My thought was maybe B&W with a nice crop would highlight details that caught the photographer's attention. Used my original edit - cropped and added B&W filter using On1
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Post by hmca on Aug 9, 2020 0:52:08 GMT
I especially like your handling of the doors, Frank.
Nice idea, Pete. The absence of color and the tighter crop does seem to put the focus more on the architectural details.
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Post by fotofrank on Aug 9, 2020 7:04:28 GMT
B&W version done in Luminar. Removed the security items and a few other items.
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Post by Lillias on Aug 9, 2020 11:04:44 GMT
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Post by hmca on Aug 9, 2020 15:25:58 GMT
Nice to see a B/W converted with Luminar, Frank. Also enjoy seeing your edit with Affinity, Lillias. They are both programs our members may not be that familiar with using.
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Post by tonyw on Aug 9, 2020 19:33:43 GMT
Excellent choice of image to work on! Started out in Lightroom and made some basic adjustments although primarily worked with the adjustment brushes and gradients to even up the exposure a bit in different areas so screen shots wouldn't be too helpful. Also made some perspective adjustments to correct for some of the effect of the wide angle lens. Then into Photoshop to take out the security stuff and thought about removing the camera bag that some photographer left on the side table - but decided that would be too much work so left it there. From there into Topaz Adjust and Topaz DeNoise and back into Lightroom for some finishing touches. It's a lovely old theatre - just hope it will be back open for business soon. Tony
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Post by Lillias on Aug 9, 2020 19:49:26 GMT
Took my first result back into Affinity and added a posterisation effect with the luminosity blend mode.
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Post by hmca on Aug 9, 2020 21:19:13 GMT
Tony.....I really like the details you preserved in the panels above the doors. Lillias....glad you went the "artsy" look. Looking to try that as well at another time.
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Post by hmca on Aug 9, 2020 21:44:40 GMT
OK....so here's mine. I don't think you can really appreciate the fine work contributed so far until you work on this image yourself. Hard to remember everything I did but hope to cover the main edits. The first time I opened the image in Camera RAW in PS all I did was go to the optics panel and then geometry to correct distortion. From there I went to Topaz DeNoise AI to get my "workable" image. After that it was back to Camera RAW where I basically went with the auto adjustment.....I think! I had this idea that I wanted to add a sky behind the top window panels. To do that I made a selection of the top windows and using the magic wand I removed the white glass. Below that I put one of my images with a sky. After that is when I don't remember everything I tried.....but basically used NIK CE Dynamic Contrast at half strength. At this point I thought I was finished.....but look at the lack of details in the bottom door panels in this screenshot. What I had noticed about Frank's was the detail he kept in those bottom panels. So went back and edited again just for those panels and masked the two copies together. I then a curves adjustment on the sky area which also brightened the arch above. Like Tony, I would have liked to get rid of the camera bag but decided against it for the same reasons. I did remove some items by the end of the table.
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Post by tonyw on Aug 11, 2020 21:27:17 GMT
Helen - nicely done and glad you didn't get rid of the camera bag - I did try briefly and failed miserably. I did think about that "sky area" at the top but as I have some local knowledge I suspect that's a tall white building with windows across a very narrow street - tried to recover some detail without a lot of success - so it might just as well be sky!
Going to have to try a black and white version
Tony
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Post by tonyw on Aug 11, 2020 21:51:06 GMT
Started on a B&W version of my earlier one using an ON1 preset and then backed it off a bit and tweaked some more back in Lightroom finishing up with this. So many possibilities with this one! Tony
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