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Post by tonyw on Feb 26, 2022 23:32:53 GMT
One more - took out that branch above the pagoda with content aware fill, cropped and used the BuzSim filter in Topaz and then added a depth blur. Tony
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Post by hmca on Feb 26, 2022 23:48:21 GMT
You started us on the square crop and I think this one works especially well. I like the muted tones.
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Post by tourerjim on Feb 27, 2022 14:19:23 GMT
Wanted to get the effect of garden dreams
Used background layers as auto raw default, then used 2nd image raw clarity -100 and blend mode to screen, and 3rd layer as image below shows.
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Post by hmca on Feb 27, 2022 18:59:52 GMT
This garden looks like a beautiful and peaceful place to spend time. I can see where it inspired you to create a dreamy effect, Jim. Thanks for sharing your settings and layers.
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Post by michelb on Mar 3, 2022 20:29:58 GMT
Well, it's time to give my choice among all those creative and imaginative answers. It was really hard to decide. I have chosen to give an advantage to those who tried to solve the depth sense without noticeable cropping. A crop challenge would also have been extremely interesting!
I wanted to give the first prize to the improved sense of depth with natural looking, I hesitated between Billy Jean (Lillias) and hmca (Helen); My preferred one the the one from Lillias. I also wanted to give a prize to one of the best ideas to solve the depth problem. PeteB has found a very effective color solutions I would never have thought of. Then curiously, I did not get many attempts to solve the problem by a robust use of blur/sharpness, so kudos to Pete61 for its very effective and still realistic result.
Of course, I was delighted to see all the creative interpretations with cropping and color effects, thanks to all for working on the subject.
My personal attempts were based on the ideas that the base image was already sharp enough with good depth of field and mostly very saturated. Playing on the existing depth of field was challenging. I managed to create a mask based on the details in foliage to separate the 'in focus' parts from the less sharp parts on the foreground and background. Not very effective all in all, any manual masking would have been easier and more convincing. When you want to enhance some parts, the solution is often to 'tone' down the surrounding parts by using desaturation, detail blur or negative clarity. That helps a lot with the very saturated bridge. I also wanted to see if the depth of field guided edit could be used in a different context than the usual gradient from foreground to background. Using the elliptical gradient was good enough and switching to the 'expert' mode kept the mask which I was able to fine tune manually.
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Post by hmca on Mar 3, 2022 22:01:03 GMT
Thank you for your thoughtful post, Michel. I wonder if any of our participants thought the image might be yours? It was a wonderful image to work with and certainly made us think critically as to how to best approach it. It is nice to see the work of Lillias, PeteB and Pete61 especially recognized. I'm glad that you also appreciated our efforts to go out on our own and try something "different" than your original intent for the image.
Thank you to everyone who participated in this challenge. I hope that you enjoyed it along with members who may not have participated but followed it. This challenge is open to all members.....active and observers. If you would like to submit an image for the next RAW Challenge, please PM me. The next RAW Challenge will be April 30th.
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Post by Lillias on Mar 4, 2022 9:47:07 GMT
Thank you michelb for allowing us to play with your beautiful photo. It was something new for me to try and I enjoyed the process. Thank you for the mention along with the others, in particular, Helen, PeteB and Pete61.
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