Inkbrush Effect in B&W and also Coloured

To start:
1. Open your image and the ink textures,
2. Duplicate the image layer by using keyboard shortcuts Ctrl+J for Windows or Cmd+J for a Mac.
3. Hide the Background layer and rename the duplicate layer to match your image. In this case I named it ‘Lady’.
4. Create a new layer and fill it with white. Then drag it between the Background layer and the image layer and name it White Background.
5. Make your image layer active by clicking on the layer.

6. Go to Filter Gallery>Artistic>Dry Brush (You can also try using Rough Pastel but it has more of a subtle effect). The dry brush is more effective.
I used the settings - Brush Size 10, Brush Detail 0 and Texture 3.
But feel free to experiment with these sliders and click OK when you are happy with the results.

NOTE
For this next section it is important to do the steps in the sequence given...as I found out...

7. Select All Ctrl+A/Cmd+A and Copy using Ctrl+C/Cmd+C
8. Click on Create a New Group icon and add a layer mask.
9. Hold Alt on Windows or Option on a Mac and click on the layer mask
(when you do that your Page will turn white)

10. Select Ctrl+V or Cmd+V to paste your image in the mask.

You will notice that the Blend Mode at the top of the layers panel shows ‘Pass Through’. A blend mode not normally available in PSE. This is why a Group was created.

11. Make sure you are still on the Mask - Go to Enhance>Adjust Lighting>Levels and adjust to taste and click OK.
12. Still on the Mask - Invert by Ctrl+I or Cmd+I and the image now looks like a negative.

13. Now hide the Image layer in this case called ‘Lady’ by clicking on the little eye icon beside the image in the layers panel and everything turns white.

And this is where all the magic happens.

14. Choose the first of the Ink Textures - Select All, Copy, then go back to your Image and making sure the Group Layer is the active layer Edit>Paste and the paste layer will go below and form part of the Group.
(If you are having difficulty pasting - with the Group layer selected just drag the Ink Texture onto your page and it will appear just as if it had been pasted.

15. Using Free Transform you can resize the Ink Texture, move it around to how you like it and click to commit.

16. This is where the Pass Through blend mode comes into play - Change to Multiply.
17. Make sure the Group Mask is active and repeat by using another Ink Texture following the same steps just done.

     Each added Ink Texture will come into a layer of its own and can be manipulated on its own.
     Remember to change each Ink Texture layer to Multiply blend mode.

Using the Multiply blend mode helps with the blending. Over laps of the Ink Textures make it darker and none over laps light. There is no right or wrong to this. Just do everything to taste.

I duplicated the two Ink Textures in this example, rotated them, and resized them till I was happy with the look and that is in effect the tutorial.

However there is lots of things you can do to continue work on this...For example you can continue adding as many Texture layers as you like. In my original post at the top of this thread I ended up with ten different Texture layers two of whom were splatter brushes top left and bottom right.
I also added a shadow frame and just above the White Background layer I added a colour gradient layer.
I also duplicated the image layer and dragged it to the top of the layers stack and used the Colour blend mode to colour the image.

If you have the imagination who knows what beautiful work of art you could end up with.